Pinata

There is a grave in my basement.
I don’t know how it got there
I creeped down the steps (I crept)
And smelled jelly beans, lemon-sugar powder
Purple flowers (what are they called?) Surely
There is a skeleton in those shadows?
He will come a’rattling and ask me to dance?

Delirious! Lepor! You are smiling all over yourself.
Your pink emotion has rather ejaculated. There must have been
A death acceptance somewhere in my past. There is a grave!
There is a grave in my basement! No, I am not comfortable with this.

Here is something that cheers me up: The great fog of our lives.
We walk to work with our trenches up over our mouths.
Do you smell sugar-powder shit? No. Do you? No.
The fog of our lives! My friend, Le Jennifer, asked me: Is there
A grave in your basement? Why of course! I felt one of her breasts!

The plague is here (but don’t tell anyone). Because when
It is clear, when it is clear that the plague is here (the fog
Will have lifted) then we will see the thousand corpses, their sores!
Their sores! Whoo-Haa! And we will feel one another’s breasts. Our
Genitalia will come to life as on the third day of spring! The plague
Will force us into goat-footed position. The balloons will rise from our arses!

Stop. Now stop. Open the basement door. And quietly, now, quietly, you creep.
You’re creeping. Is that a treasure for you and me? The gift of our futures.
No Lepor; No Le Jennifer; No, even Elliot Le Ginn. These are graves.

Gargantua

Depression discovered me as I walked, as I walked
To the bus. A giant with legs as short as mine
Crawled between my knees and asked for the time.

Why! You silly little thing I shouted, how is it
That you are so small, yet tower over me? Why
Am I so frightened? You are a fantasy. You belong
To the French and treasure born from imaginary sand.
Are you real?

This question confused the giant with legs
As short as mine. You’ve created me, silly thing,
He said, you nurse me all of the time. The giant
Then made himself just as tall as me and unbuttoned
My shirt and removed my breast. My man’s breast
Was a woman’s breast. You silly thing, he said and began,

He began to suckle at my teet. The milk was red.
My teet was sore. I begged him to stop. He would not let up.
He grew larger in size. He was a giant after all. His shadow befell me.
Have I lost my head? I asked the world. But the world was not there.

He said: I belong to you; I hold your sadness in my hand.
Your happiness is here, beneath my codpiece. I won’t
Tell you where I keep your desire, he said. But I knew,
But I pretended not to know. And I felt nothing at all.
Now I live in the shadow of my giant. In the morning
Sometimes, while I walk to the bus, he tricks me by asking
For the time and ends up sucking the milk from my breast
And whispers that desire is my imagination too; happiness
Is a crutch; and sadness, Lepor, thanks to me your sadness
Is no more!

There is This! There is This!

My pillow, I love when you are beneath my face
I carry you into the bathroom with me, hug you
While I squat. My pillow! Soft realization of my dreams!

Not the dreams that make a man a poet, but the dreams
That make a man confused! I stumble at every avenue.
My back’s the same as my front. A clueless boy with pink fruit
For elbows asked me in the canteen if I knew him.

I swear. His eyes were like raspberries, just like
His elbows and he was so thin I swear he was a phantom.
Have you not died, I asked him. He was a homosexual,
I found out soon enough. He invited me up into the vent.

We crawled inside the vent: dust. My body is a fruit;
You can crush it between your thumb and forefinger, like
A fruit, a wild berry, and I will stain your skin long enough
For you to taste me and then I will disappear, he said.

And he disappeared. We were like dust in the vent.
I carried my pillow with me back to bed. I love you, my pillow.
You are real and your shape changes with the contours of my face.

Three Cheers to the Archaic Modernist

The television is the computer
I’ve become sure I’m worried what
Has happened to my memory surely
We know from experience that organic
Is transformed with the smallest bit of
Decision the computer, the television,

Tell me now muse because I know
I am only talking to myself, what should
Happen to my imagination now that I am

No tell me self are you entertained, if
That is the word, are you special among your
Memories, and if so then which ones belong to you
Where is the image that disappeared the moment
You interrupted that image with a new image

I am afraid these are the clearest thoughts
I have had all day I have trouble seeing the difference.

No One Can Remember, Not Ever

I have just discovered a street I never knew existed
Though the name of the city escapes me I’m so
In love with space that all its temporal nuances are
Fallen fruit I have just discovered the withered citizens
Of this street and they are all fluorescent lamps beneath
Their tattered robes they moan in pain but their sorrow only
Sounds like the celebration of pain to me help me
Hold me I am so mentally ill that I deserve to love my confusion
As my cat loves the catching of his claw in the screen window

I have left my house for the first time in months and have discovered
The street and the city and the withered inhabitants that no longer
Exist we are celebrating together we drink red table wine and piss
In all of the most cherished spots of our city for example the historic
District is the world’s largest urinal and we are so happy the steeples
All weep like willows like a Van Gogh that has begun to melt because
Of the extreme heat I am mentally ill I cannot take responsibility for my
Visions but I deserve happiness all the same I hold you hear listener
In the bowels of the most worthless art only so you might listen only
So I might speak

The Vanishing Subtext

The failed old poet asked me if I wanted to drink
And I told him that the old Russian shadow followed me
Into the gleeful moments, if he still had those, anyway
The answer was no, I wouldn’t enjoy myself

But please, but please, he said and mumbled something
About the baby Jesus and the disingenuousness of Neruda
And about the disappearance of success and the quality of automobiles
In Cuba

So I drank with him. When he asked me if he could lay me a kiss, no
Sir I told him, your breath smells of poison leather, cigs, and your beard
Plus, did I mention I’m heterosexual, somewhere I lied to him but life
Has the character of water in pure nightlight, and I allowed him
And he changed into the delicate figure with legs as long as skyscrapers
And lips as green as wet vegetation and he asked me if it had ever occurred
To me that my youth, at age 25, was curling up the inside of his raincoat
At any rate, I’m heterosexual too, he said, and I only wanted you to be a woman

We walked across a bridge and he confided that he feared one day he would stop wishing
For death because that would mean He actually might happen.
There was a Chekhov story, he couldn’t remember, but the horses, the shadow
Yes, I said, I’ve always believed Chekhov to be a woman, too, though he married
Himself, didn’t he, and declared he was the lead actress two years before he died.